MICHAEL DAILEY was born in Des Moines, Iowa in 1938.   He received BA and MFA degrees from the University of Iowa.  From 1963 until 1998 he taught painting and drawing in the School of Art at the University of Washington.  He is represented by the Francine Seders Gallery, Seattle, WA and the Laura Russo Gallery, Portland, OR.

Michael Dailey's work has been widely exhibited in the Pacific Northwest and throughout the United States.  Among the public collections in which his work is included are the Museum of Modern Art, New York City, The Smithsonian Institution, Washington, DC, The Municipal Gallery of Modern Art, Dublin, Ireland, The Seattle Art Museum, The Tacoma Art Museum, the Portland Art Museum, and the University of Washington.

We were greatly saddened by the passing of Michael Dailey in 2009.

My work attempts to create the mood and presence of landscape by means of atmospheric color and abstract form.  I use an image that is rigorously flat to convey a sense of deep space, highly abstract form to create a feeling of a specific time and place, and a generalized image to create a subjective response in the viewer.  By suggesting rather than defining, much is left for the viewer to imagine.  In a sense, the work requires the viewer to complete the experience by the memories and perceptions he or she brings to the paintings.

My working method is straightforward.  I change and rework a painting over and over again until it feels right.  Color is layered and built up until a quality of luminosity and specificity is achieved.  The image changes many times as the painting evolves and I quite literally don't know where I am going until I get there.  Thus, a painting that ends up predominantly blue may have begun as yellow or red.  People have noted the complexity of my color and have given me credit for skill that more properly should be given to persistence and experimentation.  This process of improvisation and revision has been the basis of my work since the beginning.

Michael Dailey


click images to enlarge

It takes two galleries to capture the colorful career of Michael Dailey

By REGINA HACKETT
P-I ART CRITIC
Art review | Entrancing works of Michael Dailey at 2 galleries

By Gayle Clemans
Special to The Seattle Times









 

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