Anna McKee uses a variety of printmaking processes but most often collography and etching with chine collé.  She is fascinated with structure and pattern and finds examples of both in the plant forms and geological formations she uses as subject matter.  McKee received her BA from Evergreen State College (1981) and an MLA in Landscape Architecture and Urban Design from the University of Washington (1992); she has taken additional coursework in painting, drawing, and printmaking at the Gage Academy and Pratt Fine Arts Center (1995-2003).  McKee had a solo show at Icon Coffee in Seattle and her work was included in SPA at Coca and Small Works Show at the Gage Academy (all 2006) and in various juried shows including 5th Minnesota National Print Biennial at the University of Minnesota Department of Art (2006) and 18th National Drawing and Print Competitive Exhibition at the College of Notre Dame of Maryland (2007).


Artist’s Statement

 Can I read dirt like tea leaves?  If I sit for long enough looking, will the earth reveal its order?

I find images in nature, slowly drawing at sites and from photos to explore ideas that float in my head.  I am interested in the recursive patterns that repeat when contrasting human history with geologic history.  Looking at these patterns, I find stories of change; layers of lines and shapes illustrate the narrative.  The natural world is a crucible and mirror of our existence.  It reflects, defines and is altered by our actions. 

In many of these images, I maintain a tight focus to create individual portraits of the trees and cliffs.  Rather than lay out a wider landscape, I find details that materialize as script.  What language is being built within these layers of growth, accretion and decay?  The patterns speak of time and change.  Though silent, these places are the physical embodiment of past environmental events, human and otherwise.

Several thoughts arose as I walked around the unusual landscape at Lava Tree State Park in Hawaii.  First, I noticed the physical characteristics of the geologic formations.  They reminded me of standing stones in the British Isles.  These rocky structures became cocoons, sarcophagi, rotting trunks.  

I tried to imagine the event that formed this landscape, as I sketched.  Once upon a time, a river of lava flowed very fast through a forest and then quickly drained away to the sea.  The trees, wet, must have steamed and created explosions as they were consumed by the deluge.  They held just enough moisture to cool a thin layer of lava, leaving behind encasements once the flow receded. 

These lava casts preserve the impression of the trees far longer than the trees normal lifespan.  It is ironic that the same event that destroyed the trees preserved their memory.

Anna K. McKee
May 2008