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January 6 - February 5, 2012 |
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Submerged |
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Dale Lindman
is a painter who likes to take his time. He weighs, tests, and
often revisits formal decisions; experiments with new media and technical
strategies; and physically labors over his paintings’ layered and textured
surfaces. The work comes together slowly and carries the gravitas of
process. Viewers will recognize the vertical cascade of panels or bands
painted so thickly as to be almost sculptural, but recently Lindman has
added side panels to many of the paintings. These are coated with a
luminous film of poured paint that pulls light into the interior of the
work and plays off the texture and embedded color at the heart of the
painting. The paintings included in the upcoming show represent three
years of work. Lindman uses a mixture of media including acrylic emulsion,
dry and dispersed pigments, iron oxide, and glass microbeads; he works on
birch panels. Fifteen to twenty paintings ranging from wall to easel size
will be included in the show. A catalog with numerous reproductions and
essays by Christopher Schnoor and Victor Sandblom will accompany the show. Francine Seders is pleased to welcome Dale Lindman back to the gallery. She represented him in the late eighties and early nineties; subsequently Grover Thurston and Foster/White galleries handled his work. Recently Lindman’s work has been included in thematic shows at Prographica/fine works on paper in Seattle (2010, 2011); Eco Art at the Sammamish Arts Commission, Sammamish, Washington (2009); and Surface Stances at the Nordic Heritage Museum in Seattle (2006). |
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Michael Dailey’s works on paper will be on
view in the upstairs gallery. Francine Seders has chosen a range of work
that spans the artist’s career and underscores what a resourceful and
hard-working painter he was. This year Dailey’s work was included in A
Family Show—Michael Dailey/Susanne Kelly, Michael Spafford/Spike Mafford,
Fred Birchman/Sam Birchman/Julian Birchman at the Seders Gallery
and Seattle as Collector, the Seattle Office of Arts & Cultural Affairs
Turns 40 at the Seattle Art Museum. text by Pat Scott |
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